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Rockabilly Guitar II page 2 - Jim Weider
(Licks and Techniques of the Rock Pioneers)

harmony and theory back coverThis Chuck Berry segment goes on and on and I have never seen such an extensive in depth look at Chucks style and influences. Its not perfect but its the best I have seen. One lick after another. Jim plays quite quickly and that's OK when he comes back to explain it but sometimes he doesn't. Anyway you can't go wrong really. There is also the extensive finger picking issue too. This is how you learn. Happily He talks harmony and two note diad intervals called double stops that Chuck loved to use and he explains that and some basic thirds and fifths and seventh couplings. This is more music theory more than say Steve Trovato gives us in his 2 Chuck Berry lessons. I wouldn't be without either set.

Eddie Cochrane is our next Rockabilly Juggernaut and while we can keep our flat picks out we still remain in hybrid picking country as Eddies influences include Chet Atkins and Merle Travis, pickers of great renown. Eddie played a lot of eighth notes and claw picked with two fingers and his pick. He shows us a lot of cool Eddie licks in different keys but you cant see the head stock so you are always wondering what fret he is at. Jim is playing  Gretch 6120 and using a Fender Bassman which was Eddies sound. Beside the few issues this is a great guitar lesson with some excellent musicians. You will see licks played here you wont see anywhere else.  This section on Eddie Cochran  has a ton of rockabilly technique and cool guitar ideas to explore. For so-called intermediate level players I recommend this 2 lesson Rockabilly guitar lesson set and don't forget there is a pamphlet too!

    Rockabilly Guitar II - Jim Weider
  • Ch 1: Intro
  • Ch 2: Chuck Berry
  • Ch 3: Chucks Equipment
  • Ch 4: Double Stops with bends, slides and hammer ons
  • Ch 5: Eight Note feel and chord positions
  • Ch 6: Variation of 12 bar progression
  • Ch 7: More Bass Note Movement
  • Ch 8: Combined Country and R & B elements
  • Ch 9: Shuffle feel
  • Ch 10: Combing Grooves
  • Ch 11: Playing along with the band I
  • Ch 12: Cool Rhythm figure
  • Ch 13 Double Stop Bends and horn section
  • Ch 14: Call and response Latin Influence
  • Ch 15: C Major scale in thirds
  • Ch 16: C dominant 7th scale in thirds
  • Ch 17: Classic riffs in thirds
  • Ch 18: Classic Berry style Intros
  • Ch 19: String Scrapes
  • Ch 20: Unison 4ths
  • Ch 21: Unison Bends and slides
  • Ch 22:  Playing along with the band II
  • Ch 23: 6th and 9th chords
  • Ch 24: Blues Rhythm figure
  • Ch 25: Eddie Cochrane
  • Ch 26: Eddies' Equipment
  • Ch 27: Straight eights rhythm figure
  • Ch 28: Classic Eddie Rhythm Figure
  • Ch 29: Play along with the band 3
  • Ch 30: Trilled chord tones and triplet pull offs
  • Ch 31: Hammer on Lick
  • Ch 31: Chromatic 9th chord riff
  • Ch 32: Chet Atkins Style Intro
  • Ch 34: 6th chord riffs
  • Ch 35: Rhythm Lead Lick
  • Ch 36: Two part Rhythm figure
  • Ch 37: Cliff Gallop
  • Outro

Rockabilly Guitar - Jim Weider Page One | Page Two

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